Directed by John Stewart Muller
Written by Laura Boersma, John Stewart Muller
Produced by Laura Boersma, John Stewart Muller, Timothy Rhys, Thomas Beach, Gabe Lang, Alexandra Bentley, J.C. Cantu, Joseph Suarez, Dylan Matlock, Frederick Schroeder, Aric Avelino, Randy Newman, Keylee Sanders, Therese Beach, George Kevin Chapin, Karen Clark, Barbara Gallagher, Ron Gallagher, William Kyte, Jerry Lang, Joni Lang, Kevin Lynch, Kathleen S. Muller, Aaron Peterson, Susie Peterson
Starring Mira Sorvino, Christopher Backus, Cary Elwes, Katherine McNamara, LisaGay Hamilton, Shane Callahan, Melora Walters
For pleasure and political profit, a psychiatrist (Sorvino) unsatisfactorily wed to a maritally derelict, reputedly unfaithful New Orleanian councilman (Elwes) assesses, seduces, then manipulates an obsessively unstable sculptural bricoleur, whose ascendant repute exceeds his talent, to murder her husband so that she can undertake for his flagging senatorial campaign by exploiting popular sympathy to endorse a ticket of disarmament. That stratagem’s exposited by her dupe at the denouement of this garishly lit, positively prognosticable crime drama evidently occurring in Lifetime’s and Netflix’s parallel universe, where detectives don’t exist. Your complimentary spoiler isn’t half so much an affront as the conjoint investment by extravigesimal, moneyed barnacles to produce this dreck, which portrays as predictably as its plot marriage as a cell to be escaped, for the gratification of embittered housewives and monition of young, germinal careerists — an intimation that’s familiarly pernicious in mundane, contemporary agitprop. Like everyone else here, Sorvino and Backus (whose career’s initiation concurs with that of their marriage) are clearly grinding through the motions, generating exiguous eroticism during their characters’ fling, and even less interest while he’s loudly stalking her or romancing her gorgeous, gormless daughter (McNamara). As poorly plotted as thrillers come, it only deviates from convention at its unbelievable conclusion; as seedy bait for vicarious and disgruntled devil’s advocates, it’s as putrid as any of the effluent issued by Blumhouse.
Instead, watch Diabolique, Fatal Attraction or Obsessed.