Manon 70 (1968)
Directed by Jean Aurel
Written by Abbé Prévost, Jean Aurel, Cécil Saint-Laurent
Produced by Robert Dorfmann, Yvon Guézel, Luggi Waldleitner
Starring Catherine Deneuve, Sami Frey, Jean-Claude Brialy, Robert Webber, Elsa Martinelli
Transposed to chic, swinging ’60s Paris, this slightly torpid yet titillating umpteenth adaptation of Prévost’s classic fabular novella Manon Lescaut portrays the pursuit of a cosmopolitan bon vivant (Deneuve) by a handsome, sportive news correspondent (Frey) who wins her heart, but not her troth; addicted to her luxe lifestyle, the unscrupulous beauty will bed any man of means to maintain it, and her promiscuity piques his irascibility like an open flame to a dynamite fuse. Perchance the most listless treatment of this narrative, Aurel’s mode here nearly effects sporadic longueur, its finest moments contingent on the considerable charisma of its gorgeous stars and settings. However, his conference of drollery and a perversely modern prurience to this story while dispensing with its tragic conclusion is laudably elegant; a less able filmmaker (as King or Brass) would surely have contrived something approximating dopey softcore porn of a tawdry or soppy mold. Ever debonaire, Brialy steals his every scene as Deneuve’s opportunistic sibling, whose ingratiating cajolery and chicanery coaxes her transient lovers almost as effectually as her enticements. Magnificent orchestral and chamber standards by Vivaldi and a couple of groovy tunes courtesy of Gainsbourg sublime the ambience of this flick’s admittedly trifling proceedings. For languid summer beach parties, this is the picture of choice.
Manon 70 (1968)